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Post by christian on Apr 6, 2020 8:23:42 GMT
really intereszting view. when was the last time you heard a set that left you gobsmacked and had to listen to it straight away again. used to do this all the time but has only possibly happened once in the last ten years (bicep from printworks)
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Post by Quntolé 🐎🚃 on Apr 6, 2020 8:29:57 GMT
Can't remember. Sasha bubble mix thing got about 4 listens. Before that maybe his 6 mix. That's it.
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Post by Biggsy 🦁 👑 🌴 on Apr 6, 2020 8:31:39 GMT
That is possibly to do with how disposable music has become.
Back in the day you had to work to find new/good music so you would invest more time in listening to it.
Capiche?
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Post by dubman on Apr 6, 2020 8:36:12 GMT
Think a few of you need to broaden your electronic music horizons. Please enlighten us with your musical horizons. |
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Post by christian on Apr 6, 2020 8:40:14 GMT
agree on both those sasha mixes but really cant think of anything else. I
i still listen to quite a few different mixes, especially when running or at the gym so not sure its the amount of time i have to invest, it just does not seem not to move on. maybe its our agre. I noticed a live mix this weekend with amelia lens and she had over 200K people listening live to her 4 hrs of drumcode shit techno. diggers had 3k and has been building on it week on week. think it is just us old gits who have been there and seen it, where as the drumcode brigade think it is all fresh and new
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Quattro
Apr 6, 2020 8:41:14 GMT
via mobile
Post by homegrove on Apr 6, 2020 8:41:14 GMT
I'm going to be listening to the Soundscapes-mix on this more than once.
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Post by Quntolé 🐎🚃 on Apr 6, 2020 8:43:46 GMT
Think a few of you need to broaden your electronic music horizons. Please enlighten us with your musical horizons. Think you have to take into consideration he's only been at it 5 minutes compared to most of us. Typical smallminded no idea view. |
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Quattro
Apr 6, 2020 8:44:28 GMT
via mobile
Post by rhouses on Apr 6, 2020 8:44:28 GMT
but I'm not sure that he as a DJ or Bedrock as a label have done anything of any note for some time. I appreciate that has a lot to do with the state of current music Sure, but what does it have to do with the state of current music? I’m assuming he means how disposable music has become, and how the shelf life of a tune has decreased. You’re never going to get a heaven scent or xpander again, especially within this genre. |
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Post by Quntolé 🐎🚃 on Apr 6, 2020 8:48:45 GMT
Or maybe the music just isn't anywhere near as good? You'd have to be there from early on to appreciate that though. I don't blame new kids on the block saying it's ace and the old stuff was shite. I'm fine with that. All the DJs refer to back then as the golden years. There's a reason for that.
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Post by homegrove on Apr 6, 2020 8:53:29 GMT
I was coming up when you think prog shit the bed, first started buying records in 2001.
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Post by Quntolé 🐎🚃 on Apr 6, 2020 9:05:01 GMT
Oh dear that's the year I finished haha
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Post by Quntolé 🐎🚃 on Apr 6, 2020 9:06:18 GMT
I think most people agree that original prog as we know it died 2000 and limped along to 2002 but was only really prog by numbers during those last 2 years.
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Post by dubman on Apr 6, 2020 9:07:11 GMT
I think i stopped buying vinyl around that time as well after my radio show finished.
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Post by Biggsy 🦁 👑 🌴 on Apr 6, 2020 9:10:20 GMT
I've been listening to 'electronic' music since 1979 with Human League and Tubeway Army, then 1980 with Depeche Mode ect.
So what? All the young uns getting into that music have it to listen to as well as the good stuff released today.
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Post by Quntolé 🐎🚃 on Apr 6, 2020 9:10:46 GMT
Yeh we get that bf ta.
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